"So my dream starts out like this," Gerry says, "with all these people around, beautiful ones. Are you listening?"
"My head's nodding up and down, can't you see it?" Marcus leans away from the excitement of his friend, settling into a chair.
Gerry continues, "I'm saying, you haven't been here in a while, I wanna make sure you're listening."
"I'm listenin'."
"So--I'm piloting this ship. Me, I never left the state, but I'm all over the ocean in my sleep. Anyways, I'm piloting, wait--captaining? It's captaining the ship, right? So I'm doing that real good and there's about a hundred hot chicks around, all over the fucking boat, which, by the way, is bigger than any God damn boat…ship, I ever seen, but remember I'm real good at driving it--" Gerry coughs dryly for a second, catching his breath. "I can see you're waning so I'll pick it up here… I lock eyes with this doe eyed chick, little chub cheeks, tight little whatever, looks like a younger Sarah. So we're in the fire gaze, full on--and this is where the dream gets screwy--I dock the boat at some silly island tit fest. As we're getting off I finally break eyes to see our surroundings: tropics, crashing waves, blah blah, then I turn back to look at the broads in the water and all the hot chicks have turned into animals. Goats and giraffes and dogs, couple cats, who knows, fucking Amazonian ducks, whatever right. I look around, my chick is still muffins and donuts: thank shit. It's tropical out, so I grab her by the arm, and we're walking the plank to land when this bearded guy yanks me aside. He looks me right square and I know, like only sometimes you know, and I know I've seen this man before. Maybe across the street, maybe the janitor when my mother still lived here, something inside me says this man knows. Knows right about me--"
"What he say?"
"He says to me, says, 'here's hindsight for ya, I coulda grabbed two unicorns and left the bitch'."
Gerry claps his hands together, leans back into the couch cushion, "Whatta ya think?
"That it?"
"Yeah-"
"The fuck you mean, yeah. What happened after the guy?"
"I woke up all sweaty and immediately looked over at Sarah. She'd been working late, she's dead asleep, and I just knocked her awake. It took a second, but I got her riled, then I flat said, 'you gotta leave.'"
"What?" Marcus asks, pulling his body erect in his chair.
"Yeah."
"When was this?"
"Three weeks, something. Same day this happened," Gerry carefully lifts his foot from the stack of pillows it'd been resting on, showing off his heavily taped, awkwardly braced, left foot.
"That's sorta fucked up."
"Which?"
"Both." Marcus says, "You get the injury chasing your dream beasts or whatever?"
"No, the two aren't related. This was an accident, and as far as Sarah goes, ya know, I sleep diagonal, so--"
"So?"
"Yeah, just how some people break down."
The two men adjust themselves against their adjacent seats. Marcus, the fatter of the two, tugs his tee shirt, making sure the wrinkles of fabric aren't tight around his mid-section.
"That foot worser than it looks?"
"I'm almost outta sick leave," Gerry replies. Marcus nods, distracted by a memory of helping Sarah move in; how she'd taken the heat bulbs Gerry sometimes used for light in the winter, and replaced them with ones that bore a heavy incandescence. They look awkward in her absence.
"How come you ain't come around for a while? I've been cummin' my shorts to share that story," Gerry asks.
"It's only a foot, you coulda limped yourself down a few buildings to my place."
"Whatever--you gonna leave a hurt man alone? What if I'da died in this bitch?"
"Then you'da died of a weak ankle and I woulda spent the rest of my days lying about you being my friend."
One farts. One itches his balls.
"Work been busy?"
"No," Marcus barely replies.
Gerry barely pauses to listen to the short answer, "Overtime?"
"Not really, I mean, does it matter?"
"You got a great shift over there, huh?"
Marcus rubs his eyes in mock frustration; they're red from friction when he finally stops, "What's that?"
"Usually I'm in and out all the time, night day, like a rat or something, the way I'm always tired and moving onto something else. And I never see you going to work, coming, yet and here you are eyes sunk down a bit, skin sorta yellow like you catch for the Yankees, saying you been working."
"All that moving, still got time to peek from your windows?"
"This ankle has given as it's taken."
"I dunno man, I'm out there ya'know, trying to keep my five-hundred channels."
"It's just that my mind wanders. I hadn't heard from you. Finally it got so I had to call."
"Ten times this morning."
"It got to where maybe I thought you were dead."
"Yeah, thanks-"
"Maybe you were fuckin' rotting."
There are few things, over time, that silence conversing men; most are ruined stereotypes like sports, or tits, yet in these shortened days it's something much less civil: a lie has broken out, forcing Marcus to stand and crack it from his back. Gerry considers him, looking him over, as if a lie is physical. A liar marks like a witch, any moment a jagged scar should cross Marcus' cheek revealing a silver moon of truth. After a minute, when it doesn't, Gerry admits, "I'm sorry man, I didn't mean to get on you like that."
"It's fine, I didn't know you were hurt up here; it's whatever. I gotta head out though."
Gerry looks around, checking the distance to the door. He's not sweating, or uncomfortable, it's just that he suddenly feels her missing. His femme fatale, who dangerously infected him with infatuation, who was here in this room and now isn't. He feels her absence crawling up from his femur settling in his joints: elbow, hip, knee, places where if he moves wrong without her he'll break.
Outside in the concrete courtyard, a bottle breaks. Then another. The shattering like a down beat, the hiss of the glass echoing upwards to the room with two men; old friends quickly disintegrating. This complex of aged apartments has always been a place where small things go unnoticed. Where, historically, when events have brought the dinner five news crew into the cul-de-sac, residents say, 'I lived here all my life, I never knew, I never woulda guessed'.
Marcus opens the door to leave just as Gerry slaps it closed, nearly catching Marcus' nose in the frame, and he remembers every single incident where someone didn't know about the axe under the bed, or the knife in the pocket.
"Lemme just ask one more question…if you're in no rush or anything."
"What's going on man?"
"I'm just wondering, like I said, what you do with all that time?" Gerry's face flushes; the small apartment shrivels. A canned tuna smell wafts down the hall, lending a thickness to the air. There's girly magazines and milk rings on the table. "Get us a few drinks, sorry I don't have any drugs, the union checks me now. I'm sayin' have a seat let's make up for lost." Gerry waves his arm, as if presenting the room's options to Marcus.
"I don't have any stories to tell."
"Fine, I'll go first, again, but don't leave me here with unpaid cable bills and a half chubby thinking about lady love."
"What lady love?"
"That's parta the story, c'mon grab the liquor nips in the kitchen cabinet."
The kitchen is sloppy like Marcus remembers. The fat, slightly cracked tiles are speckled with stains; some spots look like bits of blood, brown and dripped across the kitchen. Marcus pauses to remember where the liquor is kept, and why he hasn't been up here in so long. The apartment doesn't remind him of hell, or salvation, he doesn't find Gerry's laugh towering or motherly; he can talk about cock & balls if he wants.
In the living room, Gerry braces himself up against the nearest wall. His ankle is twice the size it was yesterday, and the half-wit doctor down the hall told him it should be going down by now. That maybe it's something else beside sprained. Gerry shin slides the coffee table over, positioning the chairs closer, yet still across from each other.
Marcus tips his head back, pulling from a vodka nip. The music rising from the other room suddenly soundtracks the moment; he dances with a whiskey nip before drinking it down in a single, smooth sip. The beautiful soul song is bass dominant and chorus heavy. There's an honesty to the analog recording. Marcus tosses another nip back. Gerry starts bellowing from the other room, trying to sing along. He's a few seconds off each lyric, making the beautiful soul singer sound as though stuttering. He's removing all the heartbreak. Marcus can only drink a third nip to quell himself. His transitional smile from sober to not comes with flashes of the woman he's found, how she's waiting with wine for him at home.
Gerry leans further into his cushion. He's watching his living room shift into a small loft space. He's remembering a studio apartment, not his, Sarah's. Sparsely dressed, the apartment and the lady both were. Gerry had stretched himself across her small couch, watching, for the first time, her unfold before him. Everything seems slower in these flashbacks, as if memory can't process itself when bent together with reality. Gerry locks himself in to silly, smiling Sarah as she's dancing over him. She's doing things only women can: slickly pull her bra through a shirt sleeve, then using one hand to tie back a pony tail while her other works an elastic off the wrist, around the hair and in two God damn seconds flat she's finger in his ear, front teeth nibbling his lip. She disappears down between his legs just as Marcus' nip swallowing head reappears in the living room.
"So--?"
"What?" Gerry asks.
"You gonna tell me what had your eyes rolled back like that?"
"You first."
"My eyes ain't rolled anywhere, and I don't have that grin you do. Where'd you go to get that?" Marcus sits down across from a leaned back, and wincing Gerry. He places the liquor down, thinking he doesn't need to like the limping friend to drink with him.
"C'mon there hasta be some small tale. We used to trade porn." Gerry says, keeping the grin on his face.
"Yeah, so?"
"So," Gerry puts his best sad face on, allowing his lip to droop and his tinted gums to show, "puh-leease."
"You realize this is a little gay; you're dying to hear me talk."
"I won't ever tell, good buddy."
Marcus keeps his seat. He reaches for another nip but they're all empty, already, "This is a joke man. Come by when you can hobble better, we'll catch a buzz then. I've got a chick waiting back for me."
"See I knew it was something. First I thought you mighta moved to the apartment with the skylight, and didn't want me to be jealous. You don't have the apartment with the skylight do you ?"
"What now?"
"I didn't think so. Look, what's the big deal you got your head in a box, that's fine. Fuck fine, that's half this complex, one box of a type or another. I'm just saying a phone call, a knock." After a moment to recoup, he says with the candor of a child, "So tell me about her?"
"Well--just this chick, I dunno--she's--"
"She's my fucking Sarah is what she is, isn't she pal?" Gerry says, heat reddening his face.
Marcus doesn't have a look for this. Smiling feels arrogant. Hands in his pockets, shifting shoulders feels disrespectful. He's easing his tongue over his gums inside his mouth; tentacle of nerves and non-reaction, his fight or flight response dulled after years of neglect.
"So this is it, huh? This is what happened to your foot."
"Resent is a black, ugly trait."
"C'mon let's not be pathetic here."
"Does she think you're brilliant with something under your sleeve?"
Before Marcus replies, Gerry raises his leg off the cushion and thrashes his broken appendage into Marcus's knee, buckling it. He drops; Gerry smashes his good foot into Marcus's side, fat jiggles instantly black and blue.
"I drank too much I think and I'm sorry but now I got something started, I might as well--it's always better to ask forgiveness than permission." Gerry watches Marcus crawl a few steps before kicking him again.
"I've never been kicked before, but I think you outta get that foot casted 'cause you kick like a chick." Marcus says, coughing hard while climbing to his feet; once up, he doesn't raise his hands.
"C'mon, say it again!" Gerry's hobbling around, a child of Hamburger Helper and Friday night fights, but, like most, he's forgotten himself, his limits. Marcus side steps his next punch, wrapping him up in a big hug.
"Someone's gotta be thinking here Gerry or you might end up three floors down."
Gerry exhausts himself back into his seat. His chest heaving like this has been wind sprints.
"Bet you don't even fuck violent," he says, not embarrassed, and still looking Marcus dead in the eye. "Dropping from me to you, she fell like lead."
"Thanks."
"Well what-- just tell me something. That's all. Tell me a story about how you snatched her, or you wanna chat about how she always tells you to hold her hips when she's riding on top and you can't ever feel her up cause of it."
"I'm not a good sharer."
"Think of this like a locker room. It's all dicks and secrets out."
"Fuck off--"
"After I told you all about my dream…my fantasy. The unicorn, two of'em." Gerry's voice rises and falls, his weaknesses dripping from the edges of his shirtsleeves. "What's the harm now? I gotta live knowing I chose the sack of duck feathers, the squawking mouth."
"It's getting sweaty in here, maybe we should get some air or something." Marcus offers Gerry a hand to his feet.
"Easy, easy--" Gerry says, waving at him, circulating a small circle of dead air between them, "come sit there, I wanna whisper you something." Marcus sits beside him, too close by a few inches; their bodies rub for a moment before Marcus slides down.
"She keeps you in that house day after day, you don't leave, you don't work, I see the blinds always open up on the fifth floor, letting that sun in for as long as the day is. I know these A.C. units barely spittle, c'mon man, she's got you sweating for something up there."
"That how you say you wish you'd held tighter?"
"I've only got so much that's mine."
"Uh-huh--you wish you had more?"
"Wish I still had her plump vagina sitting between my lips and nostril."
Marcus gets up, crosses the room to finish the last drops of several nips. He then comes back across carrying clarified thoughts in his mouth. He pushes his body right up against Gerry's, leaning down into the nearest crevice of his ear. Marcus whispers a long sentence that's drawn out like a child's. Gerry steps back, trying to clear his throat. He's suddenly coughing. He puts a hand out as a keep away. He's trying to say something, spunking words out in half syllables that Marcus doesn't attempt to understand.
Finally the jag passes, Gerry sucks in gulps of new air. He stands, wiping the clots at his lip corners, and begins again, "She ditched me cause I left a note that said 'Hi'. One night after a double shift, I'm dead asleep, dreaming of her, and she busts in like it's a fire, wakes me the fuck awake, shouting: you left me a note that just said 'Hi.' You know I hate fucking 'Hi,' like what else besides 'Hi.' 'Hi'; cancer, 'Hi'; fuck me please, 'Hi!' Y'know--explain." He stops to consider the memory, the weight of imitating her voice was too much, something he didn't know before he entered into it. And he's weak again, his foot won't stand his weight.
"She left you over a note?"
"Yeah."
"That's--"
"How's that make you feel… about people who can do that?"
"I dunno, I love her. So-- "
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